Communications from Above
What I'm not able to tell is if Nachtwey is being ironic or he's serious about placing this modern ritual on such a spiritual plane.
Continue Reading
The Face of the Future in Kiev’s Battle for Middle Earth
I’ve argued before that conflict photography is accumulating evidence of a of disturbing change in the political and cultural dimensions of modern violence: that it is becoming less modern.
Continue Reading
What Can You Really See From Space?
The problem I want to raise is that once you’ve been given a literal description of the image, your imagination may shut down too soon.
Continue Reading
AP Photographer Alters Syria Photo to Remove … a Camera! — Worth Considering a Little Deeper
It's ironic because the viewer, particularly in war photography, isn't supposed to be aware that there is a camera.
Continue Reading
The Debate Over White House Photo Access: The BagNews Salon (with Video Highlights)
Watch video highlights of the salon as an esteemed panel, mostly current or former White House photojournalists, discuss the ins-and-outs of presidential photo coverage.
Continue Reading
On Jim Estrin's 9/11 Meditation: Silence and Dust
What touches me about the photo, beyond the eloquence of the ritual, is its audacity and appeal for humanity in the midst of roiling injury and two wars of retaliation.
Continue Reading
On any Given Day, What May be Needed is Not 400 Photographs, But Just 1
There is much more to the "photo excess" discussion than the likelihood of being overwhelmed. Bob Hariman weighs in.
Continue Reading
News Photography: The Year of the Selfie, Too
If "the selfie" was the dominant theme this year in social media and personal photography, I would argue that the theme of "self absorption" (or, "the absorption of self") applied as much to news photography.
Continue Reading
Alex Garcia's "Inner City" Photos from Austin: The Pictures That Cannot Be Seen
Where the "impossibility" lies is in the steep challenge of looking at these photos naïvely enough to consider each individual as distinct from the associations they invariably stimulate.
Continue Reading
Photo Requests from Solitary: S. Martin Luther King Drive and E. 63rd Street
First pass, I was not just struck by the emptiness – or, the quiet here, but I was concerned by it.
Continue Reading
The Naval Yard Shooting Photo That Wasn't –Then Was
Because our goal is to promote visual and media literacy, The Atlantic's summary of these photos is something to take note of.
Continue Reading
Sweet Damascus
So the photos from Syria the past year or so have been a little weighted toward Aleppo and, recently, the Damascus suburb of Gouta. On that diet, of course, one would only think that apocalypse reigns.
Continue Reading
No Photos by Women Photojournalists In Syria & Brown Miss America Freak Out: 2 Reasons BuzzFeed Starting to Piss Me Off
Here was a perfect opportunity to show us a women or multiple women journalists, for goddsakes, actually covering the war in Syria -- though I understand it might have taken about a minute to find one.
Continue Reading
Alan Chin in Lower Manhattan: 9/11 Turns Twelve
Good hack and lensman that I am, I fight for access to restricted areas, bemused that the young men and women in uniforms who see journalists as intrusive adversaries have no idea that, the dozen years back, I was here too.
Continue Reading
Former Newsweek Editor and that "Blurry" Obama
Did the intent of the image, when it was originally made, have more to do with Obama's political style? Or was it motivated more by the fact the man was such an unknown?
Continue Reading
There is Shooting and There is Shooting
Among photography's many virtues, it slows the world down, indeed, it stops the world in ways that normal sight is often hard pressed to do—at 1/800th of a second, for example—inviting us not just to look at the world around us, but to see it, sometimes with fresh eyes.
Continue ReadingDetroit, Braddock and the (Powerfully) Indeterminate Nature of the Image
It is difficult to assign to art the role of producing, or the credit for realising social and political change - something that is in the end always the result of human efforts, and not reducible to the content of specific images.
Continue Reading
David Schalliol from Chicago: From a Focus on Buildings and Landscape, Photographing People
Now that I am engaged in a project about a specific neighborhood, documenting the demolition of a corner of Englewood to accommodate the major expansion of that freight yard, my photographic relationship to people is changing.
Continue Reading