2013, by all measures, was a year of milestones here at BagNews. We redesigned our site and upgraded our hosting. We set records for viewership. We expanded our fine list of contributors. We relaunched our original photojournalism section. And most significantly, we expanded our focus to address the art and practice of photojournalism, complimenting our longstanding emphasis on the analysis and critique of news photos.
We hope you’ll enjoy this compendium. It wasn’t easy culling 2013 down to these thirteen posts. If we missed some of your favorites, it might be because another goal of this collection was to represent the range of perspectives we take.
Another highlight of 2013 was our dependability, posting and tweeting the visual news up to six days a week the year round. Given that diligence, we know you’ll forgive us this Christmas week off as we pick up again next Monday, the 30th. In the meantime, because there’s a lot here, we hope you’ll commit some time to absorb this work and perhaps return more than once to share your thoughts.
Until then, we wish all of you, our readers and commenters, our contributors and guides, our family and friends, the warmest holiday season.
Contributor Karrin Anderson captures the important work of turning catastrophe into fashion capitalizing on the Hurricane Sandy disaster.
This exposé, which reverberated for weeks, detailed inaccuracies in an award winning documentary photo. In a concentrated fashion, it led to wide and constructive discussion about photojournalism ethics, the representation of blighted cities, the politics of photo contests and the comparative roles of bloggers as compared to journalists.
This post put the unusually graphic news photos of the Boston Marathon bombing in a larger visual and nationalist perspective.
A visual meditation on a manhunt and the lockdown of a major American city.
Perhaps the photographer deceived the Times about a main figures in his story. Perhaps the Times knew the story was compromised and published it anyway. Either way, our argument had to do with the integrity of a published story, whether in print or online, believing that journalism, conducted properly, involves the addition of corrections. Otherwise, the news media is on a slippery slope if a story can be entirely disappeared, like this one was.
Given that news images are soaring in prominence while their context plummets, Robert Hariman highlights the critical weight and role of the photo caption.
If Western media has been quick to label things in neat boxes, this brazen and brutal killing in England brought up the question, was the perpetrator a terrorist or a soldier?
Contributor Alan Chin on the trail of the real, if elusive “person of the year.”
Every year, it seems, there are a handful of viral photos that demonstrate two things: a frozen moment in time can play tricks on one’s eyes, and the 24/7 news cycle is a virtual incubator of the pretend.
This was one of our most widely circulated posts this year. Valerie Wieskamp, a PhD Candidate in Rhetoric and Public Culture at Indiana U., raises the question why this very famous image from the My Lai Massacre, although officially documented as such, has never been widely recognized as evidence of military sexual assault. Further, she raises the question why “The Napalm Girl” is so familiar while the public has no recognition of “The Black Blouse Girl.”
Photographer and Ph.D. candidate in sociology, David Schalliol, documents the gradual erasure of a South Side neighborhood by a major rail company.