A spontaneous ICE encounter on a St. Paul block becomes a rare picture of practiced solidarity—and a case study in how images can answer federal power.
By Michael Shaw

Heavily armed, masked federal immigration agents face a cluster of neighborhood residents filming them with their phones during an ICE operation that resulted in a car accident in St. Paul in January 2026. Leila Navidi/Minneapolis Star Tribune
Leila Navidi’s photograph for the Minneapolis Star Tribune shows St. Paul neighbors on a Cathedral Hill sidewalk on February 11, 2026, standing shoulder to shoulder with their phones raised as militarized ICE agents turn away.
What began as a spontaneous response to a high‑speed crash caused by an ICE chase becomes, in her frame, a rare picture of collective solidarity—everyday residents forming a united front, documenting federal power, and quietly claiming the moral ground.
While the image went viral, little was written about why it had such an impact. In our latest Chatting the Pictures video, we read it detail by detail, to show how its composition, timing, and gestures have made it a breakthrough resistance picture for this state and this moment. Watch now:
What follows are “companion images” that show how the Twin Cities had been visually building toward that moment, and how much Navidi’s photograph carries in a single frame.

A person carries an American flag on Nicollet Avenue after a fatal shooting by federal agents there on January 24, 2026, in Minneapolis. Photo: Stephen Maturen/Getty
The flag that once staged official power becomes a neighborhood standard here—an early glimpse of the homegrown patriotism that will crest in Navidi’s frame, when residents claim the street as theirs.

Residents pack a school auditorium as a community organizer walks them through the federal crackdown and ICE raids in Minneapolis, one of many neighborhood meetings that sprang up to understand the violence and plan a collective response. Photo: Jack Califano for The Atlantic
Residents pack a school auditorium as a community organizer walks them through the federal crackdown and ICE raids in Minneapolis, one of many neighborhood meetings that sprang up to understand the violence and plan a collective response.

Thousands of people endure subzero temperatures to protest the immigration crackdown in Minneapolis. Photo: David Guttenfelder/The New York Times/Redux
These rooms and streets are the scaffolding beneath Navidi’s stand‑off: a city that has already been meeting, learning, and shivering together, so that when ICE rolls in again, neighbors know instinctively how to show up with their bodies and their phones.

A local documentary filmmaker sprints behind a team of federal agents, part of a loose network of legal observers and neighbors who shadow ICE convoys across Minneapolis—filming everything while staying just within the bounds of the law. Photo: Jack Califano for The Atlantic
By the time we reach Navidi’s picture, that ethic of systematically following and filming has moved from lone individuals and resistance networks to a whole block of neighbors, turning pursuit into a spontaneous neighborhood reflex.

I’ll tell you one thing I’ve learned about Minneapolis: their commitment to protecting the community is strong. From observers with whistles monitoring city blocks to neighbors keeping watch over Sunday service to a citizen carrying an AR around his block to “keep his neighborhood safe from ICE,” you can’t say this city doesn’t care for its own. Photo: Carrie Schreck/Redux Pictures via Instagram
In Navidi’s photo, that commitment condenses into objects. At the far left, a woman stands with a phone in one hand and a whistle in the other, her body oriented toward the agents.

Protesters clashed with law enforcement officers for hours after a federal agent had shot a man while attempting to detain him. Photo: Todd Heisler/The New York Times
Closer to the center of Navidi’s frame, an agent’s chemical spray rides in his shirt pocket; to the right, a woman in a brown coat grips a water bottle, ready to flush someone’s eyes if that spray is used. The picture quietly pits weapon against antidote—state chemical agents against neighborhood first aid—turning domestic items into icons of everyday defense.

Photo: Carrie Schreck/Redux Pictures via Instagram
Here the journalist is not just a byline but a protagonist, part of the visible frontline. In Navidi’s picture, that role doubles: Sam Stroozas, the MPR reporter anchoring the frame in her bathrobe and slippers, and Leila Navidi, the Star Tribune photographer behind the camera, are witnesses of the witnesses, documenting a citizenry that has turned its cameras—and its attention—back on the state.

Photo: Mostafa Bassim/Anadolu Images
Across Minneapolis, scenes like this show neighbors tending to one another in public space, reinforcing that resistance is also mutual care—rides, food, warmth, information. This is a city that learned, brutally and publicly, how to face federal force during the George Floyd uprising, and the administration misreads that history if it thinks Minneapolis will meet an ICE occupation with fear instead of practiced solidarity.
Navidi’s frame condenses that experience into a single confrontation on a residential street, where everyone is someone’s backup and no one stands alone.
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