From His Own Perspective: The Seductive Power of the Instagram Migrant
Of course, we would hope that the migrant diaspora in our media diet would reflect the greatest realism, but that’s a whole different thing than the migrant telling his or her own story, taking his or her own pictures, and controlling his or her own narrative.
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That All-Too-Dark Iran Nuke Disarmament Photo
Marking the concluding instant of the negotiation ritual, the end of the beginning and the beginning of the future and its consequences, the photo is eerie indeed.
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Myth Of The Self-Inflicted Wound: A Deeper Look At That Photo Of The Crying Greek Pensioner
In spite of how touching the story might be, the photograph also achieves something all together more troubling.
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Suddenly, Assad Not Such a Bad Guy?: On TIME’s Exclusive Photos of ISIS – Syrian Battle
The question here is how to evaluate the informational value of the story against its propaganda value.
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Behind the Niqab: The (Male) Photographer's Perspective of Life Through the Veil – Part 2
The ability to frame a shot and have that image published in and discussed by major outlets is a privilege. Unfortunately, that privilege is too often reserved for men.
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When Those Endearing Photos of Kids and Riot Cops Really Aren't
It cautions us not to take pictures at face value or to assume that what's in a frame is necessarily that consistent with what's happening just outside of it.
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The Palestinians and the Indians: One Pic from Israel’s Burning Man
The parallel of the American West and the eradication of the “Native Americans” with the Israeli desert and the trials of the Palestinians is mind bending.
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Behind the Niqab: The (Male) Photographer’s Perspective of Life Through the Veil – Part 1
Men would do well to consider women’s perspectives more often—not just when there is a physical reminder that your literal view on the world is affected by your gender.
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Migrant Other: The Rohingya Crisis and the Tendency of News Photos to Confuse Compassion with Patronization
I worry that newswire photographs during humanitarian crises have a way of exposing their subjects to a not-so-subtle mode of international brow-beating.
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Cannes Film Festival / Gaza City Film Festival – Juxtaposition of the Day
Red carpet as metaphor.
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Human Jetpacks Over Dubai’s Artificial Islands
It's as if this photograph catches humanity admiring its own awesome powers of creation.
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Boy in the Suitcase: The First Photo of the New Century
The photo captures the bare life of the human subject in migration; the emblematic equipment of global transportation and a powerful but harsh global economy that permeates everyday life.
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Volcanic Exceptionalism: Why America Treats Every Disturbance Abroad Like it’s Looking in a Mirror
People from the United States have been looking at South American volcanoes and seeing them as metaphors for what’s happening at home for at least one hundred and fifty years.
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Armenian Association
Rituals of public memory have always been about forming the community through public display—using cultural materials to fashion and shape how "we" want to remember ourselves.
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Mediterranean Crisis: Ecology is About People, Too
Isn't it curious how people tend to think about "ecology" as it relates to plants and air and water and less in terms of humanity and how much we look out for each other.
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From Johannesburg: A Photo That Makes Us Stop
Typically, news pictures prompt us to visualize the continuous action in our own mind.
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Maternal Instinct
This photo was submitted by one of our readers, Don Fitzsimons, responding to a comment about the picture in the Jakarta Post.
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Waiting for Peace to Arrive at the Syrian Bus Stop
Whatever the back story, the moral is the same: warfare demands exceptional resilience and inventiveness to survive, and people respond in kind. ...Which is why the scene is heartbreaking.
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