Omran and Alan: The Limits of the Photo of the Wounded Aleppo Boy
Ultimately, and in contrast to the Alan Kurdi wake-up call, the photograph of Omran, the wounded Syrian boy in the ambulance, is a rescue fantasy.
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The Brussels Attack: Between Two Cell Phone Photos of the Same Scene
What stood out from the terror attack in Brussels is how two slightly different cell phone photos became defining images of the event.
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World Press Photo Winners: Mary F. Calvert and Military Sexual Assault
I wanted to focus on the more political side of Mary F. Calvert’s award-winning photo project on women raped or sexually assaulted while serving in the U.S. military.
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War/No War. Reading Spencer Platt’s NY Veterans Day Parade Photos
These photos surface uncomfortable realities about an America (still) at war.
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News Photos as Military Promo: Prepping for the Next Good War?
This New York Times photo feature is less about military propaganda than it is about selling the next "good war."
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More Drama, Less Reality: The Case for Fake War Photography
The staying power of US war culture depends on a citizenry that keeps its distance from actual warfare.
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Meta of the Military Photography Awards: You’re Either Flying High or Laid Low
While these two photographs aren't the only ones recognized as award winners, their place at the top does offer some insight into a limited range of human experience.
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David Frum Accuses NYT and Reuters of Staging Gaza Hospital Photos (GRAPHIC)
Certainly, these organizations have better uses of their time right now -- including, keeping their photographers alive while adhering to ethical standards -- without having to contend with libelous charges being leveled on impulse.
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The Dysfunctional Guitar: More on the Reuters Syria Photo Controversy
In this atmosphere of doubt, it's worthwhile to consider these images involving the presence of this musical instrument in multiple images. What really convinced me to share them publicly, though, was the confusing and misdirected explanation I received from Reuters after having contacted them.
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Were the Reuters "Boy in a Syrian Bomb Factory" Photos Staged?
We hope that this post might contribute to a thoughtful, open and persistent examination about the truth behind this story as well as the issues surrounding how photos in conflict zones can be procured today.
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7 Reasons Why Donald Weber’s Kiev Molotov Cocktail Portraits are That Effective
At once dirty and pretty, an achievement here (in comparison to so much other war photography) is that these don't glamorize.
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Have You Ever Seen the Uncropped Version of the "Napalm Girl?"
So my question is: was this photo cropped entirely for effect? for simplicity sake? or, because the nonchalance of the soldiers would have been like a second napalm hit?
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Ruddy Roye from Iraqi Kurdistan: Among the Names of the Dead
We learn about the horrors of the day in Halabja from everybody, everywhere and every time. They are told in stories and memorials. Whenever we get together as a family, sometimes watching old footage, we would talk about that day.
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Hansen’s World Press Winning Photo Not Fake… Just Unbelievable
Based on detailed scientific analysis, it has finally been established that a photo doesn't have to be fake to be incredible on its face.
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War and Terror: What Shocks Me Most About the Bloody Marathon Bombing Pictures (GRAPHIC)
What takes me aback are how graphic the news photos are as compared to the almost total visual censorship of American war casualties over the past twelve years.
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Gaza and Israel Under Siege: Photo Comparisons Vs How the Brain Works
Viewers don't tend to hold circumstances separately in mind as much as draw comparisons in terms of degree.
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James Nachtwey’s 9/11: Eleven Years Later, Like Night and Day
9/11 in 2011 9/11 in 2001 Unfortunately, the Bush administration used the emotional power of the images of 9/11, including mine, to justify and gather support for an ill-conceived invasion of Iraq, a country that had absolutely no connection to the attack on 9/11. So things get manipulated in...
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Alan Chin on "the 9/11 Decade": Beyond Pushpins On A Calendar
"Though anniversaries may just be pushpins on a calendar, they are key markers of our individual and collective lives." Photographer Alan Chin on loss and change through the 9/11 decade, from New York to Afghanistan, Iraq to New Orleans, and back again.
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