The past year or so has been filled with controversy about particular news images, as well as wide discussion and debate about the practice of photojournalism.
As part of the Photoville photography festival, this live edition of the BagNews Salon explored the images below in terms of ethical standards, the rapid shifts in aesthetics and technology, and the continuing evolution of social media and the online news/media market.
This discussion was held Saturday, September 28, 2013 at One Brooklyn Bridge Park in Brooklyn, NY.
The BagNewsSalon brings together the eyes and voices of the world’s leading photojournalists, editors, visual academics and other informed observers to analyze select edits of news photographs in a 90 minute on-line discussion format. Below you’ll find video highlights from the hangout as well the full broadcast, the accompanying slideshow and the list of panelists.
The Salon was produced by Teresa Mahoney and video editing was provided by Sandra Roa.
Rather than asking the usual question of how much gore is too much, we’re wondering why the visual coverage of the marathon bombings was so graphic and what compelled the Daily News to photoshop the foot back onto this woman's body? Panelists Jamie Wellford and Stephen Mayes respond.Watch Now
Based on an instant in time, the Western photo media turned a routine moment of congratulation into a lesbian demonstration allegedly protesting Russia’s anti-gay laws. What does this say about fact checking, sensationalizing, cultural bias and other visual media tendencies today? Meg Handler, Jamie Wellford and Stephen Mayes break it down.Watch Now
Citizens and media critics far and wide criticized this cover (featuring Boston bomber, Dzhokhar Tsarnaev’s own Facebook selfie) after it previously appeared, without controversy, on the front page of the NY Times. Is it his fault or Rolling Stones’ fault that Tsarnaev looked so young, handsome and typical when he was supposed to be a monster? And how much did the backlash have to say about Rolling Stone as opposed to and the politics of terrorism and stereotypical ideals about American identity? The panel responds.Watch Now
Time Lightbox characterized Taslima Akhter’s image as the most powerful photo to emerge from the devastating collapse of a garment factory in Dhaka, Bangladesh. To what extent does the beauty of the photo support awareness and social change? Our panel is joined by Ms. Akhter to discuss the photo.Watch Now
This is a cautionary example of the effect of news photos in the age of social media. Not hours after Getty photographer Spencer Platt’s photo-story about the urban plight of downtown Utica was published, angry residents and officials in the city took to Twitter and Facebook to voice their discontent. If the question of how to visually depict depressed cities was an issue before, social media only raised the bar. Michael Shaw and Spencer Platt discuss the feedback and the intricacies of depicting poverty.Watch Now
Large news photo slideshows have become common on online media sites. Often times, the arrangement of photos appear largely random. In other cases, editors seem drawn to arranging photographs based on visual composition rather than subject matter — sometimes to awkward editorial effect. Is there a benefit to the news slideshow that we're not appreciating? For example, Is it possible they communicate information and meaning to us in a new and emotional visual language, more like music or dance? Or, are they more problematic than that, forsaking context and sensitivity in the name of aesthetics, entertainment and user clicks?Watch Now
Take a closer look at some of the images from our larger photo edit.
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