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Disaster Focus Photo November 16, 2013

Those Sensual Typhoon Pictures from the Philippines

I understand high contrast color is the new normal, but applied to disaster photography and extreme distress amidst exotic scenery, why does it feel like the stimulation is subsuming the information?

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Business Focus Photo November 15, 2013

Augmented Mannequins Figuring Prominently: The Globalization of Barbie

As the Times tells it, the mannequins are the brain child of factory owner Eliezer Alvarez, who “created the kind of woman he thought the public wanted—one with a bulging bosom and cantilevered buttocks.” The strategy worked.

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Campaign '12 Photo November 14, 2013

"Biracial Gag Response" In Pictures: A Little Jenga For the 13%

I'm pretty sure the glue that connected Cohen to Romney in my head was the Gallup 13% biracial disapproval stat being bandied around married to Mitt's self-inflicted brouhaha over America's deluded 47%.

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Remember When Obama Was the Guy Who Best Knew How to Get There?

What the photo reveals, then, perhaps more clearly than any other so far, is the strength of Obama's leadership -- especially, in-house -- in the face of multiple tremendous challenges.

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Disaster Focus Photo November 11, 2013

Typhoon Haiyan: Early Pictures

Once again, it's not looting if people are starving and have no alternative.

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Photo

Arafat's Dirty Laundry. (Ours, Too.)

Now feel free to chalk all this up to TMI, but you have to keep in mind how they best tested if Arafat had the polonium in him.

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Photo November 8, 2013

Twin Towers. Jetliner. Man Leaping.

Maybe I'm too sensitized to political images -- and their echoes.

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The "O" is for Obese: Take-Aways from TIME's Christie Elephant GOP Cover

Seriously, if you're really overweight and you have to stand next to that cover in the checkout line at CVS this week, you're collateral damage.

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Culture Focus Photo November 7, 2013

David Schalliol from Chicago: How Do You Photograph the Emergence of Nothing?

How strange it is to live in a new place without even moving.

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Campaign '12 Photo November 6, 2013

Christie: Election Catchup

Sailing with those moderate winds at his back, I imagine he's savoring the slap down.

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Terror Focus Photo November 5, 2013

Fact is, We Can't Get Enough of Hitler

Whereas conventional wisdom is to abhor Hitler, especially in an institution of art, today that's exactly what he has become.

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Disaster Focus Photo November 4, 2013

The Last Photograph

You would probably agree that the category this photo aligns with is "environment." That doesn't mean, however, that we can't start slipping around and go somewhere else with it.

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Militarism Focus Photo November 3, 2013

An Attack That Was Waiting to Happen: Guns and the TSA, in Pictures

By displaying inert and disarmed weapons, the TSA emboldens the very critics they would hope to pacify.

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Media Focus Photo November 2, 2013

LAX Shooting: James Franco Is Safe

I'm looking forward to more updates on Saturday, with pictures, from @jamesfrancotv.

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Business Focus Photo November 1, 2013

Obama to Bits

The way Businessweek programs it, the problems with the healthcare website are as much a metaphor for Obama's status overall

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Advertising Watch Photo October 31, 2013

Amnesty International's Hyper-Local and "Hyper-Visual" Public Service Denouncements

If the goal was not just to drive traffic to AI and increase the organization's brand but to also cause people to "imagine it there,"does it create that result, or does it yield a more resistant reaction?

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Visual Forensics Photo October 29, 2013

My Lai, Sexual Assault and the Black Blouse Girl: Forty-Five Years Later, One of America’s Most Iconic Photos Hides Truth in Plain Sight

What are we to make of this erasure, one that indicates sexual violence in the light of day? And why is it that most Americans readily recognize the “Napalm Girl” but not the “Black Blouse Girl?”

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Media Focus Photo

Meet the De Blasios!

Call it patronizing all the way down to the typography.

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Culture Focus Photo October 28, 2013

I'm Glad I Spent it With You: On the Passing of Lou Reed

Like always, Reed used these three categories typically ascribed to the artist -- personal destruction, recovery and transcendence -- as just more ironic material.

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Culture Focus Photo October 27, 2013

Saudi Women: Driving Home the Point

How nice (and stereotype-defying) to see men also giving a nod.

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